I always end up being back to projects that I’ve shot. Although New York wasn’t really a project it was more of me just reacting to the sights and sounds of the city. Nonetheless I always head back from time to time to revisit the photos that I captured. I think it’s such an important process to revisit those images as time passes on they take on new meanings with more impact. As much as I love shooting in colour I started my photography practice in black-and-white. I am very fond of looking at black-and-white images and I think New York lends itself beautifully to the monochromatic look.
for me it’s such a therapeutic process to revisit these photographs and rediscover those moments I had forgotten. Reworking them into black-and-white images adds a new dimension and timeless aesthetic to these forgotten moments. So I thought I would share my recent re-discoveries of some forgotten images with you and also my rekindling with monochrome work.
these are just a few of the images that I have cherry picked and processed to black-and-white, I hope you enjoy them.
35mmstreetphotography
To the Pier
It’s no secret that I have been putting a fair amount of my time and creative energy into photographing the seaside. To be more precise, the Cleethorpes seaside that I now call my home, in my latest project; By the Sea. Recently have spent a little time away and travelled down to the East of England while I have been walking the streets (and seaside locations) photographing what I find.
I never really have much of a plan of what I’m going to capture. I believe working in a reactive way to the situations you find yourself in is less inhibiting but this is just a process that I loosely use. It’s great at time to head out without no real plan and shoot what you find but sometimes this can be a bit of a pain, especially when you’re not finding situations to photograph. Going through times of little or no inspirations always happens and having shot for several hours and coming away with nothing can get a little frustrating. Then again the beauty of street photography is no never know what you might unearth around the next corner. There’s always that day when you review you photos and find that hidden gem of an image that didn’t seem to be much at the time but after reviewing away from the situation often completely changes how I feel about the images.
For many of the images that I have shot on this trip, I think that I have allowed my ‘By the sea’ project to influence my shooting on new places. Perhaps that could be down to my own growth and maybe I’m becoming more sensitive to images around the coast. I’m not saying this is something negative, it’s just an observation that I have made on my own work.
Dubrovnik - Croatia
Street photography and travel complement each other, it gives me the chance to experience a whole new place and react to it in my own way. I’m not saying that to produce ‘street photography’ you need to travel, in fact producing images around your own environment I believe speaks more about your experience than traveling to a new place to speak from your own voice. On the other hand it’s always nice to get away and experience new things plus immerse yourself into a new situation and react to it with a creative process. And let’s not forget that if I travel to somewhere as beautiful as Croatia I’m defiantly going to react to it photographically.
I didn’t know what to expect from Dubrovnik other than a few people that had previously visited the region had expressed just how beautiful that they had found the city. I don’t tend to do too much research on a place like this before visiting as I don’t want to taint my view (photographically speaking) or take influence from what other photographers have produced, as then I start looking at a place from their perspective instead of my own. So having arrived on the shores of Dubrovnik I was first struck by the intensity of the light and then by the beauty of the historic walled old town that decorated the cliffs above the blue shimmering Mediterranean waters.
As we started exploring Dubrovnik I was drawn towards the historic charm of the place and much of the region had retained its roots without subsiding into today’s commercialism. I very much started to see the art of the city and allowed myself to become absorbed by the light has it ornamented the people and stone.