leica m10

Getting stuck

Just a bit of a catch up on my thoughts..

Recently I’ve felt a little lost with where I am with my work. Yes, we all go through peaks and troughs of the creative cycle and I guess I’m just at the lower end of one at the moment. For no other reason than I’m looking for a new creative direction to go in and something to fire up my excitement. This doesn’t mean that I’m sat around not making any new work, in fact on the contrary. I know that my way through this little rut is to explore and see where I end up. I’m doing just that but there lays another issue; I feed my creativity with new material (mostly photographic books) and I get inspired by the works of others. This in turn then makes me want to go out and work like that individual. The frustration comes when I see myself doing this and I have to back track with the work I’m making. Why go backwards, well, I have to be careful that I don’t fall into the trap of simply copying these individuals. I have ventured out with my camera and produced images that aren’t really mine, obviously at best only copying others styles. I think any trained eye would spot this insincerity in my photography voice but worse, I know I’m not producing work that’s honest to me.

What am I thinking at the moment – I know I will find a new direction or excitement wrapped up in there somewhere and I just have to work through it to figure it out. Chances are its not going to be a game changer but rather something that compliments the gradual progression that everyone’s work goes through.

For now I am still working my way through my recent images from my trip to the Cornish coast. But as always, I keep an eye on the direction I’m heading in with the things I am shooting today. I’m sure that something will immerge soon and look like a nice continuation – but we know otherwise!.. all the work that goes on in the background is real

What’s your thoughts, and how do you get around those creative ruts? Always great hearing from you guys who take the time to read this, so I’d love to hear from you if you have time. I’m sure you know where to find me on Instagram.

keep creative and have fun (I’m also taking heed of this)

Dan

Risk and no reward

Risk and no reward, a few thoughts on Instagram.

 

I find it interesting at times using Instagram as a means of getting my work out into the world. Other than posting work to my website (something I tend to do when it’s a little bit more polished and I have found a thread of something interesting to explore), I post images that I’m happy to share with the world onto Instagram. This is definitely the best way to get the work out there and in front of the eyes of the many - Well that’s the idea anyway. These aren’t always the images that are going to be going to be used within a body of work, but they are nice to share and give a flavour of direction I’m interested in.

This is where it starts to get interesting; If I post tried and tested types of images I will get a positive response. Instagram generally rewards images like this by showing them to more people once it gets initial interest. If however, I post images that are more experimental and perhaps explore a different avenue that I’m interested in, then I don’t always get that initial interest and we know how that plays out.     

 

Now the problem that we face is this – Do we just post images that have a higher chance of success or do we experiment?

But there’s a catch! (there always is). If we declare we are artists and we will follow the direction life takes us with our work. The work generated has great potential and could tread new ground but chances are we aren’t going to get any momentum. And no momentum equals that very few people are going to see it. Perhaps that’s not important and we make the work and its just for us –  and that’s fine.

Now if we post images that follow a pattern of greater success, yes there is a lot better chance the images will be seen and possibly well received, giving us access to a larger audience and in return opportunities to do things with our images. but that will be at the cost of no longer being free to produce the work you truly want to, you become trapped by your own success and end up following a narrow path.

What if there was a third option?

There are anyway more options - you just have to draw your own little option box and put a tick in it. I didn’t even bother to label it, just ticked it and that was enough. I guess if you did want to pencil in a label, it would probably say ‘Dan’.

So off I walk into the sunset doing my own thing (well twilight more often than not in my case) I produce work that comes from only pleasing my eye. I think I have travelled down a path that I see things in a certain way and can’t help but produce the images that fit me. I’m hoping this makes sense, I guess its like talking in your natural accent, you cant help but speak in that way. The important thing for me is not being afraid to just be me and continue to explore the possibilities. 

I do like to try a number of things out and constantly experiment with new ideas. They often fail but every soe often it leads me to a new place and thought process. I dare say this is why I photography the little fair ground on the beach so much. It teaches me that there’s has to be new ways of looking and working. 

 

I think I’ve been waffling on there. Back to the thoughts on Instagram; I think you have to be honest to yourself. What do you want from your work and the places you share it. If you want to feel success, then work at it – there are no short cuts. (I just want to say ‘success’ has many forms. My success is the enjoyment of what I do). I think its important to do what you love, especially if it’s a personal pursuit.  I am also pleasantly surprised form time to time with responses to my more experimental work. I think its important to try and stay fresh and keep your work moving. I try to find the edges of what my work can be, before it just becomes a mess of colour. Sometimes those experimental images set a bit of an unexpected spark.

Slow down?

Everywhere today I look there’s an article or YouTube video talking about slowing down. It’s like it’s the trending thing to do but does it work? I have several conversations every week with different people where they tell me that they are going to slow down and that its going to make them better as photographers.

I think sometimes people miss the point; I don’t think the message should be slow down as too many people take this too literal. Personally, I think the message should be ‘Think’. Think about what you’re doing and react in the way the situations dictate.

I feel you starting to judge me now for even thinking about flying in the face of something that’s been drilled into so many of us. Let me quantify this with an example, ok so let us look at the work of William Eggleston. Love him or hate him you must appreciate the fact that he’s been held up as on of the great photographers of our lifetime. Take a look at how he works, there’s a few video that I’m sure you can find that show him working and photographing scenes. Is he working slow? No, not really, I’d dare say he’s quite quickly snapping away. I think the difference is that he is seeing and reacting to what his eyes like. He is thinking and lining things up and when quickly capturing when it works.

I see so many people today missing the point of slowing down, if you slow down so much then I see people in danger of over thinking everything and still not producing the work they are capable of. It seems to be a case of extremes and possibly because of technology and abilities of todays cameras. Yes we have the ability to shoot a thousand frames but do you need to? Probably not and if you are then I think the problem lies with the fact you get back home with an overwhelming number of images and become lost at the endless possibilities and daunting task of trying to discover our voice in all that visual noise. I am talking from experience here, yes, I have been lost trying to figure out what I have shot and trying to make sense of it. Therefore, I think the statement should be ‘think about what your doing’.

Sometimes we need to shoot a lot of images and quite quickly too. This all depends on the scene we have in front of us. When something is unfolding then you need to work the scene and see where it takes you. Sometimes it is the first shot as that is the one you had the gut instinct about but other times it’s the end of a series of shots. It is a case of thinking about how you need to react to a scene and photographing what you want to show.

A couple of years ago I spent a week shooting the streets of New York city. I don’t think slow was even in my vocabulary for how I approached my working method there. I shot free, easy, and reacted with my gut. I loved every minute of it and produced images that were unexpected at times. Most of them were subpar but out of all the chaos there were images I still enjoy today, 2 years later. This can contrast some of the ways I work when I am producing my seaside photography but then again it can depend on the situations. The hight of summer with packed promenades often means I have to work very quickly but I can also take a slower approach. It all depends how I’m feeling and how I find the environment around me.

Maintain a high quality to your work and you can do that however it works for you. Only you know if what you are producing is honest and something of substance that really excites you. If slowing down enables you to think more, that is only a good thing but if you work in other ways and your process excites you then go with that. At the end of the day, you must do what is right for you. Take the advice that works for you and cast the other things to the side. I have tried the slower way of working in the past and even slowed my process down recently with a tripod and photographing at night. I was able to produce some images from this, but the process frustrated me. I knew if I carried on down that path then it would burn me out quite quickly just because of the slow process. This doesn’t work for me and I’m quite happy to say that.

As a personal insight, I don’t know if I work fast or slow. I haven’t shot with enough photographers to be able to judge the way I work, nor would I be interested. I work in the way that suits me, sometimes I think that is quickly reacting to a scene whereas other times I will spend a fair amount of time just looking and watching things. I take the first photo with my eye and then I react however I need with my camera, quick or slow it’s how every is needed.

The question should be, is the process that you follow working for you?

Yes – then that’s great go create some amazing work!

No, then let’s look at ways to make improvement but the best way to do that is by getting out there and putting the effort in to discover what works for you – now get out there and create some amazing work.

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New York in black & white

I always end up being back to projects that I’ve shot. Although New York wasn’t really a project it was more of me just reacting to the sights and sounds of the city. Nonetheless I always head back from time to time to revisit the photos that I captured. I think it’s such an important process to revisit those images as time passes on they take on new meanings with more impact. As much as I love shooting in colour I started my photography practice in black-and-white. I am very fond of looking at black-and-white images and I think New York lends itself beautifully to the monochromatic look.
for me it’s such a therapeutic process to revisit these photographs and rediscover those moments I had forgotten. Reworking them into black-and-white images adds a new dimension and timeless aesthetic to these forgotten moments. So I thought I would share my recent re-discoveries of some forgotten images with you and also my rekindling with monochrome work.
these are just a few of the images that I have cherry picked and processed to black-and-white, I hope you enjoy them.

Shooting in London

I have just been to see an image from my latest series exhibited as part of the Photography on a postcard, being shown at The Print Space – London.

Obviously the rest of the time was either spent drinking or street shooting, or my favourite – combining both drinks and photography. This always leads to some interesting / creative images (I’m not saying that they are all in focus but still interesting for me to look at later)

After arriving in London we soon met up with a friend and fellow street photographer; Dave ( @david_lindsley_street ) and spent some time catching up and walking the south bank snapping as we walked.

The rest of the time was spent mooching around the city and exploring the different little boroughs. I hadn’t really gone with anything in mind to shoot so just reacted to what I saw while I was there, like I normally do.. here’s the photos:

Too Hot

The weekend landed and so did the nice weather. It’s rare in the UK for the weekend to come along and also hit really nice weather but it’s happened and the temperature sored to a scorching 28°C. Too hot for some but for the others the beach was calling and I was also heading in the same direction. I would like to say that it was rich pickings for a street photographer shooting around a beach on a weekend like this but the truth was zeroing in on unique moments and details that caught my eye became a lot harder. Sometimes it can be nicer to shoot when there’s less going on to distract, other times I thrive on the hectic environment. I think it just depends on what mood I find myself in when shooting and possibly how much coffee I have drank!

Cleethorpes Seafront

Cleethorpes Seafront

Walking Clee

Working on a project requires dedication to the cause but that shouldn’t be seen as a laborious task, in fact if it’s something that you’re truly interested in then it’s part of what is enjoyable in your life. That’s not saying that there won’t be frustration but the pleasure will massively outweigh the pain. I find the joys and attraction to street photography are you never know what you are going to find. It’s a little like panning for gold at times; heading out to find something, having the drive and resilience to keep an open eye to situations. I find that images or scenes tend to happen in a very sporadic manor, they all seem to appear all at once or sometimes not at all. I don’t just say this because of my own experiences but also talking to many other photographers and looking at their working process. I also found looking at the Magnum Photos – Contact sheets book was also extremely insightful to the working process of those whom are considered the masters of photography. So I continue to walk the streets or in this case the seafront of my chosen location; Cleethorpes, in search of what is interesting.

I offer a handful of images that I have weeded out from my latest shoot and continue to pick out the successful photos from these visits to become part of my ongoing project – By the Sea.    

 

Another dash to the seaside - Scarborough

As the English summer has started to dawn (and by that I mean a few nice days in a row before it clouds back over) I have made the most of it and headed to the coast with my girlfriend. Yes the coast is on our doorstep but we decided to travel a couple of hours further north to Scarborough for the change of scene.

As always I carry my Leica and take any opportunity to shoot whatever interests me and the English coast always provides a plethora of visual feasts to be had. So I have continued to shoot and I am starting to build a small collection of seaside images of surrounding coastal towns, like I have said in a previous blog post I am drawn towards the coast so it’s obvious that I am going to collect scenes from these places. Now at the same time I am shooting a project called by the sea ( www.danbaker.me/by-the-sea ) and was intending on producing images of the Cleethorpes seaside but after sharing these images with a friend and fellow street photography, he had suggested that they should be a part of my current project. I hadn’t really considered expanding the project to surround coastal towns but after thought it made sense.  

This is what I love about street photography and the creative process; having the opportunity to share and talk about images with others. I’m not only talking about my work but having the opportunity to see and discuss others work too. It’s always great to reach out and see what other photographers are doing and have going on in their lives. so thanks to those who have already got in touch!

I feel at this point I need to say that if anyone would like to talk about any work or ideas, or even just say hi, then feel free to reach out and get in touch, I would love to hear from you and I find the creative process really comes alive when you start exploring these new avenues with others.

The lines of Leeds

Street shooting in Leeds city centre

Shooting around a city always throws up some interesting situations to photograph, sometimes things stand out but other times the scenes take a little teasing out. I would like to say that the cities give different results but the truth of the matter is that it’s my perception that changes. Sometimes I hit the streets in a particular mind set and depending on this will dictate how receptive I am to the scenes around me. Leeds is a city that can throw me in a couple of directions; sometimes I can shoot and get a few results where as other times I can come away with nothing. Today I have come away with a few images which is always better than nothing but on reflection I always want to be more articulated with some of the images that I take. The trick is to keep shooting and keep practicing, so I continue to shoot and I’m always looking for that great image.